Pinned toot

is a Slovene freeform focused on releasing music by local artists. Since 2006, all digital releases are downloadable for free and under :cc_cc: licences, while the collaboration with local artisans results in unique and imaginative packaging for limited physical hand-made editions.



Pinned toot

I'm a computer musician making:

⇒ various forms of electro-funk and bass

⇒ ambiental drone, noise and sonic experiments

⇒ expanded cinema & projects

I also:
⇒ do
⇒ run a small local "Kamizdat" w/ boutique physical releases
⇒ use &

support art-making via & (link in bio)

Pinned toot
Pinned toot

you can write me electronic letters


Pinned toot Sound Noise Music mastodon instance.

We welcome active musicians, songwriters, algorave livecoders, digital signal processing hackers, bedroom producers, writers of choral music, under-the-radar music selectors, exotic instrument explorers...

We'd like to stay easy and modest in numbers, hope for a quality local timeline and network with high S/N ratio.

Read our CoC first

then get in touch if you're interested joining our club.

"This is a performance of two dancers who are without a doubt the best the country has to offer. It is designed all in white, with a thick edge on the ramp, rising from the ground, and a rectangular dent, partly covered, hollow double bottom in the back wall which serves as a projection canvas mostly to two (at the sides of the dent), sometimes one (above her) and in the closing scene four (all already mentioned above and central in the dent) simultaneous projections."

Could someone explain me what kind of a health risk is if a young man eats everyday 5-7 eggs, some bread, bananas, Coca-Cola, sometimes pancakes, rarely an apple or two?

Tonight's performance on really shouldn't be missed. An exquisite contemporary dance performance by two excellent choreographers and dancers who 15 years ago created this incredibly poetic stage piece together with inventive talented scenographer and composer who manages to give the show immersive but still focused atmosphere.

Watch Maja Delak & Mala Kline's 'HI-RES' in about hour and half - 20:00 CEST on

I just did a live set for my friends at local cafe who are running streams on fakesite, but I recorded it and uploaded to PeerTube. It's a weird mix of some live code and mixxx mixing. Enjoy.

I shall start another live stream within 10 minutes or so. ... If you want to listen, there it is! And enjoy!

» In music, as elsewhere, organization is conditioned by material. «

Pierre Schaeffer (1976)

I'm also currently developing a web service for creating generative music cues for use in video called Cue Composer.

My dayjob is working on the fundraising system for the best radio station in world: WFMU. (


Show thread


Hello all! I'm a computer musician and composer based in the US.

I created an open source python system for computer music composition called Pippi -- which is complemented by an interactive system for performance called Astrid.

I operate a sporadic netlabel called LuvSound ( and an ever-growing web radio station with a focus on generative music called Aleatoric Forest. (



"In her performance Just in Appearance Sometimes as Everyone Else, Kaja Lorenci multiplies the form of the duet with different dance tasks and configurations, delimiting it by two choreographic contrasts: the solo as the dancer’s monologue, which is a kind of a precondition for establishing communication with the other, and the group choreographic configuration, in which the duets enter their indistinguishable multiplicity."

You can turn off the news and sign off social media for a bit. It's okay.

Working on my #FractalFlame renderer.

Better #DensityEstimation, doing it with linear histograms instead of logarithmic makes it work with "keep doubling" batch sizes instead of having to do it every small constant batch size. This sped up one test from 18s to 12s.

Also proper #BézierCurve interpolation of the #MoebiusTransformation via #Slerp of multiplier and two fixed points on the #RiemannSphere, remembering that additional #ControlPoints are needed and the curve passes through only every third point. The additional points are generated from approximated derivatives at the points where the curve passes through. Animation speed is normalized: parameter found by binary search in a precomputed array of approximate arc lengths.

Also #AutoWhiteBalance copy/pasted from GIMP, only the first frame is analysed and the resulting bounds are applied to all frames, to avoid strobing from independent frames (better would be to analyse the whole video, but storage is probably a bit of an issue for that).

Also #MotionBlur by accumulating discrete subframes of 1-sample-per-pixel each into the histogram, I think the video has 256 samples per pixel total.


tonight's live streaming show was sold out

thanks everyone who came to see it!

"Driven by the lasting relevance of avantgarde poet Srečko Kosovel (1904 – 1926) ’s verses, his honesty, melancholic prophecy and sentimental tragedy – Matija Ferlin in Sad Sam Lucky creates a form of a highly physical, turbulent and emotional homage to this very unique avant-garde author."


*starts in 3 minutes*

if you look closely on my Bandcamp, you can find an [Extended Edition] of the outtakes from our process of making music for the show. It has been unpublished for many year. It's available again, as of today.

Show thread

well, in Monteral, when the show was touring there, they made a short trailer for you to whet your appetite.

please join us tonight at and invite your friends.

PS: the artist will most probably - be present in the chat

Show thread

the tonight's show on (20:00 CET) doesn't have an official trailer, but it has an album of 'outtakes' released on our label, and a short glitchy video, that can work as a teaser to the album and show "Sad Sam Lucky" by Matija Ferlin, which I really recomend to watch.

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SoNoMu (Sound Noise Music) is a mastodon instance for musicians, sound-artists, producers of any kind of aural noise, songwriters, bedroom producers, sonic manglers and algorave livecoders. -> more...