RIP Victor Pérez Castellon. Siempre me alentaste y creíste en mi camino musical. Extrañaré tu dulce sonrisa y tu genuina presencia.

this remix project using fed from has turned into one of the most rhymically complex pieces i’ve ever made ‼️

getting soaking-wet drenched in the rain in nature was the best way to spend today

uno de mis grandes logros // one of my greatest accomplishments • a live recording of Opus 120 • en vivo en @SedecultaYuc (2011)

hi everyone. i know you’re doing what’s best for you. your happiness is mine. here come the 𝟚𝟘s (again). which means the diametrically opposed futures of 𝖉𝖊𝖈𝖆𝖉𝖊𝖓𝖈𝖊/consolidation/misinformation vs survivalism/decentralization/fact-based questioning are upon us. be safe, be kind. be 𝞑𝞒𝙐𝞣𝞚𝙇 & transgressive or 𝘲𝘶𝘪𝘦𝘵 & contemplative. it’s okay to be whoever you are. that has been my lesson this decade.

appreciation post for & • here the mysterious master of St. Petersburg performing ( Théâtre Champs-Elysées 2003). I met Bruno in 2018 at & told him his work documenting the great of our age forever changed my life. The volcanic energy of this clip was like a tear in the fabrix of the space-time continuum which reconfigured my very existence! Thank you Sokolov. Thank you Bruno.

for december:

Scriabin | Sonata-Fantasy

a wondrous tapestry of late romantic high decadence. rounding out a year of music-making with one of my favorite pieces ever (Scriabin’s music was actually banned by the BBC during the 1930s for its perceived eroticism and disturbances ??)

Scriabin w/ Tatiana Schloezer on the banks of the Oka River

| Opus 2 Number 3‬


‪Deviant approaches to Beethoven; emphasis on temporal elasticity; harmonic dramatization; spaces for breathing and pause; attention to the 'surface' of the music; the sounds themselves. Performance praxis.‬

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SoNoMu (Sound Noise Music) is a mastodon instance for musicians, sound-artists, producers of any kind of aural noise, songwriters, bedroom producers, sonic manglers and algorave livecoders. -> more...